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eClassical - Le nozze di Figaro (The Marriage of Figaro), K. Overture
On his Unseen Worlds debut, the Hague-based pianist weighs minimalist, neoclassical composition against intoxicating ambient production. Tender orchestral folk where warm violins cradle soft, vulnerable vocals. Bartolo enters with his housekeeper, Marcellina.
Figaro had once promised to marry her, and Bartolo promises her that he will find a way to hold Figaro to his promise. Bartolo would love to take revenge on Figaro for having earlier foiled his plan to marry Rosina now the Countess.
Bartolo leaves to put his scheme into effect. Susanna returns, and Marcellina jealously spars with her, then leaves in a huff. The teenaged page Cherubino comes in. Cherubino hides behind a chair when the Count arrives to beg Susanna for a tryst before he goes to London with Figaro on diplomatic business.
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But his wooing is interrupted by the arrival of Don Basilio, and the Count seeks a hiding place. He heads for the chair that conceals Cherubino, forcing the boy to jump into the seat.
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Susanna hastily covers him with a cloth. When the jealous Count hears Basilio gossip about Cherubino and the Countess, he reveals himself. Basilio naturally concludes that the Count and Susanna are in a relationship.
This is all too much for Susanna, who begins to faint. The Count and Basilio rush to her aid and try to get her into the chair where Cherubino is concealed, but she revives and orders them away.
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The Count vows to make Cherubino leave the castle. When Susanna expresses sympathy for the boy, the Count tells her that Cherubino has been caught with a woman before.
The Marriage of Figaro. Overture (Arrangement for Piano Four Hands), K. 492
The Count accuses Susanna of dallying with the boy. Further piano and compositional studies were completed at the Moscow Conservatory where he graduated with honors in In Kabalevsky was appointed composition instructor at the Moscow Conservatory and later became a full professor of composition.
He also served as senior editor for the state-owned music-publishing house, and became an active, dedicated member of the Communist Party. As an official spokesperson for Soviet musical policy, Kabalevsky frequently appeared on television, addressed factory and farm workers, wrote articles for domestic and foreign newspapers, presented awards, and led delegations to other countries, including one to the United States in Comrade Kabalevsky's compositional work and party loyalty reaped honors and awards throughout his lifetime; he deeply believed the aesthetic theory that art works should reflect the political and social ideology of the State.
As a result, his original work generally utilized conventional classical forms, traditional harmonies with a smattering of dissonance , broadly lyrical melodies, and energetic, predictable rhythmic patterns. The composer's music was always uncomplicated, pleasant, and strongly identified with the country and people, thus creating an immediate appeal to listeners.
He composed music in all forms — from concertos and symphonies to choral works, incidental music for radio and films, patriotic songs, and piano works for children. A valued contribution was that of musically motivating children and young students through the creation of a program for music education in the Soviet Union.
Mozart's The Marriage of Figaro – the best recording
The U. It is composed of snappy rhythms and one particular theme that features a popular Ukrainian folk tune. Composed in , form and content could musically pass for work written a half-century earlier. It is as romantic and tuneful as Tchaikovsky's work and would please the same audience for years to come.
This violin concerto was composed with young virtuosi in mind, and requires technical brilliance by the soloist.
From teen years on, he wrote countless songs for choirs and string instruments, and became a conductor.
Related The Marriage of Figaro, Overture, K492
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