Iphigeneia at Aulis (Greek Tragedy in New Translations)


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Table of Contents: lines Current location in this text. Enter a Perseus citation to go to another section or work. Full search options are on the right side and top of the page. Commentary references to this page 1 : Sir Richard C. The Oxford University Press. Book of Classical Verse in Translation. Oxford: Heath, M. Potter, R. Mossman ed.

V. N. IARXO

Oates and E. Oxford: Complete Greek Drama, vol. New York: Oxford University Press, — Random House. Jenkins, T.

An author’s note on two versions of Iphigenia in Aulis

France and K. Gillespie and English, vol. Oxford: Oxford D. Translation in English, vol. Rummel, E. Toronto: University of Toronto Lattimore, R.


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Grene and R. Lattimore eds. Chicago: University of Chicago Press; repr. New York: E. Lennard, H. The Alcestis of Stevens, P. Colloquial Expressions in Euripides. Cambridge: Cambridge Performed. London: R. Bentley and Sons. Lloyd-Jones, H. Blood for the Ghosts: Waszink, J. London: Duckworth. The Art of Euripides: I Company: — Cambridge: Cambridge University Press.

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Wechsler, R. Performing without a Stage: McDonald, M. North Haven, Tragedy.

Bloomington: Indiana University Press. CT: Catbird Press.

Iphigenia in Tauris Murray Translation Full Audiobook by EURIPIDES by Tragedy

McHugh, H. Euripides: Cyclops. Wodhull, M. Oxford: ed. Medcalf, S. Ellis ed. Oxford: Oxford University Press: — Further Reading Murray, G. The Alcestis of Euripides, Biguenet, J.


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Schulte eds. Chicago: University of Chicago Explanatory Notes. New York: Oxford University Press. Hofstadter, D. New York: Basic D. Slavitt and P. Bovie eds. Penn Greek Drama Series.

Bryn Mawr Classical Review

He did not translate the dubious part of the parode vv. To render the dialogic iambic trimeters Annenskij used unrhymed 5-foot iambs, intermingled with contracted 6-foot lines F. Zelinskij and, later, S. Shervinskij translated Sophocles using this meter.

Iphigeneia at Aulis

Annenskij translated trochaic tetrameters as 8-foot trochee. Moreover, in the translation of tetrameters are regularly rhymed or sometimes cross-rhymed.


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It is well known that the Ancient Greek tragedy had no rhymes, with the exception of the occasional uses of homoeoteleuton , to emphasize the importance of a particular idea. Annenskij radically modernized the Greek text. He introduced numerous stage directions which are not and could not be found in the original , renamed episodes as scenes and grouped them in acts.

The images of the play are inadequately conveyed.

Iphigeneia at Aulis (Greek Tragedy in New Translations) Iphigeneia at Aulis (Greek Tragedy in New Translations)
Iphigeneia at Aulis (Greek Tragedy in New Translations) Iphigeneia at Aulis (Greek Tragedy in New Translations)
Iphigeneia at Aulis (Greek Tragedy in New Translations) Iphigeneia at Aulis (Greek Tragedy in New Translations)
Iphigeneia at Aulis (Greek Tragedy in New Translations) Iphigeneia at Aulis (Greek Tragedy in New Translations)
Iphigeneia at Aulis (Greek Tragedy in New Translations) Iphigeneia at Aulis (Greek Tragedy in New Translations)
Iphigeneia at Aulis (Greek Tragedy in New Translations) Iphigeneia at Aulis (Greek Tragedy in New Translations)
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